Projects

Projects

Cannes Docs

Parrandas

Directed by: Constance Chaput-Raby

Produced by: Isabelle Grignon-Francke (Club Vidéo, Canada)

Country of production: Canada, Cuba

Runtime: 75'

Expected release: September 2026

Production stage: Post-Production

Budget: €380,000 (100% in place)

1st feature: Yes

Looking for: Festivals, Sales Agents / Distributors, Buyers

Synopsis:

In a Cuban village where Christmas transforms into a dazzling yet perilous pyrotechnic battle, young Lazarito eagerly prepares to join the fiery tradition that scarred him as a child, navigating the tension between communal euphoria and the haunting risks of the festival’s dangerous splendor.

Director’s Profile:

Constance Chaput-Raby is captivated by the documentary genre, which she sees as a celebration of slowness and risk-taking. She is drawn to the new forms of storytelling in moving images and believes that, whether fiction or documentary, everything is cinema. She is currently developing two feature films: Live Free and Die, about the murder of her mother in Mount Washington, New Hampshire, and Parrandas, which explores a Cuban village with a rich tradition of pyrotechnics. Her previous medium-length film, En Éclaireuses, was featured in the 2020 Visions du Réel Media Library.

Producer’s Profile:

Isabelle Grignon-Francke – film producer, director and co-founder of Club Video – is currently working on her first theatrical feature films. She has produced over 10 short films (Mothers and Monsters, Ain’t No Time for Women) and continues to develop new ones. She also produced two television documentaries: Les Collectionneurs (Sarra El Abed), shot in Egypt, exploring the archiving of Arabic music, and Virage Vert (Amélie Hardy), about regulatory barriers to green innovation. As a director, she released The Sparkle in November 2023 (New York Times, RIDM, Hot Docs, Full Frame), a short documentary on Quebec’s itinerant fairground workers. Isabelle is passionate about intimate stories, international projects, and narrative ethics.

Cannes Docs

Burning Daddy

Directed by: Tana Gilbert

Produced by: Paola Castillo Villagrán (Errante, Chile), Dirk Manthey (Dirk Manthey Films, Germany), Carolina Astudillo, Wendy Espinal (Isolda Films, Spain)

Country of production: Chile, Germany, Spain

Runtime: 80'

Expected release: September 2026

Production stage: Editing

Budget: €440,894 (65% in place)

1st feature: No

Looking for: Festivals, Sales Agents / Distributors, Buyers, Gap Financing

Synopsis:

Camila and her family reconstruct the image of her swindler father through photographs, court records and memories fractured by his violence. A charismatic man who promised limitless success. When the fantasy crumbled, intimacy became fear and silence a way to endure. The film traces the dismantling of a father shaped by neoliberal illusion, and the fragile rebuilding of those who survived his fiction

Director’s Profile:

Tana Gilbert is a filmmaker graduated from the University of Chile with a Master’s degree in Documentary Cinema. Her work focuses on the representation of the domestic and the political, exploring family archives and the lives of women in Latin American contexts.
Her first feature film, Malqueridas (2023), received the Grand Prize for Best Film at the Critics’ Week of the Venice International Film Festival and has earned over 30 awards and 60 official selections at international festivals. Her short films — Rest, Zulema (2013), I’m Still Here (2017) and No Star (2022) — were screened and awarded at festivals such as Hot Docs, Chicago and the Valladolid International Film Week.
She is currently pursuing a PhD in Communication at Pompeu Fabra University in Barcelona, within the research line in Cinema. Her work has established her as one of the new voices in contemporary Chilean cinema.

Producer’s Profile:

Paola Castillo Villagrán is a director and producer of award-winning documentaries, including Beyond My Grandfather Allende (Golden Eye Prize, Cannes Film Festival, 2015), Malqueridas (Best Film, Venice International Critics’ Week, 2023), The Lifeguard, Cielo and Relentless Memory, among others. She has also directed Frontera, Genoveva and 74m².
She is co-founder and Executive Director of the Chilean Documentary Corporation (CCDoc) and Deputy Director of the Chiledoc sector brand, both non-profit organisations supporting the national and international distribution of Chilean documentaries. She has served as a jury member at film festivals, a mentor for documentary labs, and an evaluator for international funding programs.
She is a professor in the Film and TV programme at the University of Chile and in the Audiovisual Direction programme at the Catholic University.

Cannes Docs

The Boy Girl and the Gothik Whale

Directed by: Sidka Saavedra Vera

Produced by: Constanza Schmidt (Argentine), Claudia León (Faro cine, Chile)

Country of production: Argentine, Chile

Runtime: 82'

Expected release: November 2027

Production stage: Post-Production

Budget: $427,900 (50.87% in place)

1st feature: Yes

Looking for: Post Production and Distribution Gap Financing, Buyers, Festivals, Distribution Partners

Synopsis:

A young filmmaker, Sidka—the director of the film—dives into Buenos Aires’ underground drag scene through his lens. As he follows the unconventional drag artist Gothik Whale during his ascent from the underground scene to international fame, in return, he embarks on a personal journey of self-discovery, ultimately coming to understand his own identity as a transgender man.

Director’s Profile:

Sidka Saavedra Vera (Santiago de Chile, 1998) is a filmmaker of Palestinian descent. He studied Film Direction at Universidad del Cine in Buenos Aires, where he also worked as a teaching assistant for a year and a half, and gave guest classes in Windhausen’s course at NYU Buenos Aires. Sidka is currently directing his first feature film with support from Mecenazgo Cultural fund and FUC. The project has participated in FIDBA LAB Link (2023), IDFAcademy (selected as one of three projects to pitch, 2025), and Doculab at FICG (2026). He is also developing his second feature, taking part in Residencia Audiovisual Queer Cuórum (Mexico) and the Sentimientos Encontrados residency by Manuel Abramovic (2026). His first short film, Underground Morphology, screened at BAFICI, SANFIC (Special Mention), Vancouver Queer Film Festival, INTERFILM Berlin, and Beijing Queer Film Festival (2025).

Producer’s Profile:

Constanza Schmidt holds a diploma in International Producing from Filmakademie Baden-Württemberg and a Film Production degree from Universidad del Cine (Buenos Aires). She works in documentaries and shorts across Germany, Latin America, and France, with support from SWR/ARTE. Her films screened at BAFICI, SANFIC, Cairo, Hof, and Interfilm. She has coordinated locations for Netflix and Hulu, interned at Beta Film, and was a juror at the Berlinale Coproduction Market.

Claudia León is a Chilean producer trained at the University of Toulouse and Lussas. With 15+ years of experience, she founded Faro Cine in 2018 to produce creative documentary and has participated in Eurodoc international production workshop training in 2022. Filmography highlights: “Volcan” premiered in Millenium FF, “Synchrony”, filmed in Patagonia and the Atacama desert, world premiered in Hotdocs 2024 and Trento ff 2026.

Cannes Docs

Green is the Fire’s Tint

Directed by: Cristina Hanes, Isabella Rinaldi, Arya Rothe

Produced by: Cristina Hanes, Isabella Rinaldi, Arya Rothe (NoCut Film Collective, India and Romania), Kaleo La Belle (La Belle Film, Switzerland)

Country of production: India, Romania, Switzerland

Runtime: 89' & 52'

Expected release: May 2027

Production stage: Editing

Budget: €644,217 (90% in place)

1st feature: No

Looking for: Festivals, Sales Agents / Distributors, Buyers

Synopsis:

Somi (37), an Indigenous Indian woman, faces eviction from her land due to the opening of an iron mine. A few years ago, Somi was an armed Naxalite-Maoist rebel; now, she’s determined to lead her community in resisting the encroachment and fighting against displacement—this time without her rifle. The film is a sequel to A Rifle and a Bag (IFFR 2020, Special Mention of Bright Future Competition).

Director’s Profile:

NoCut Film Collective was founded in 2016 by Cristina Hanes (Romania), Isabella Rinaldi (Italy) and Arya Rothe (India) after graduating from DocNomads. The collective fosters creative documentaries, envisioning filmmaking as a transcultural endeavour. Their directorial debut A Rifle and a Bag won the Special Mention of the Jury at 2020 Rotterdam International Film Festival. The film has screened at over 50 festivals and was streamed by Mubi worldwide. They are currently working on Green is the Fire’s Tint, a sequel to it. Their films were supported by Chicken & Egg Films, Doha Film Institute, IDFA Bertha Fund, Romanian Film Center, Federal Office of Culture Switzerland, Redford Film Centre, IDA and others.

Cristina Hanes’ previous film António e Catarina won Pardino D’oro for Best International Short at 2017 Locarno Festival. She is an alumna of Points North Fellowship, Emerging Producers, DocNomads, Berlinale Talents. She is currently directing frosty blue forget-me-nots.

Isabella Rinaldi is involved in international co-productions with Nepal, India and Belgium. Liberland (Belgium, 52 min) had its world premiere in Visions du Réel in 2022 and was broadcast on the Flemish national television VRT. Isabella is currently developing her first fiction film Fuoristagione selected in Biennale College, the script program of Venice Film Festival.

Arya Rothe is a recipient of IDA Logan Elevate Grant. Her fiction film Where Shadows Wait is supported by Hubert Bals Fund. She has worked as a director, writer, and editor on films for platforms like Arté, RTBF, Netflix, and Amazon Prime.

Production’s Profile:

NoCut Film Collective’s first production A Rifle and a Bag was awarded the Special Mention of the Bright Future Competition of 2020 International Film Festival Rotterdam, was screened at over 50 festivals and streamed on Mubi. It was financed by Doha Film Institute, IDFA Bertha Fund, Asian Cinema Fund, AlterCine Foundation.

NoCut co-produced Marching in the dark by Kinshuk Surjan (CPH:DOX 2024, Special Mention of the Jury) and No Winter Holidays by Rajan Kathet and Sunir Paney (2023 Sheffield DocFest, First Feature Competition).

Their upcoming film Green is the Fire’s Tint co-produced with La Belle Film (Switzerland) is supported by Romanian Film Center, FOC, ZFF, SRF/SRG, IDA Logan Elevate, Chicken & Egg Films, Redford Film Centre, InMaat Foundation and was pitched at FIFDH Geneva Impact Days, MeetMarket Sheffield DocFest, Points North Fellowship, Ji.hlava New Visions Forum.

-

Barnstormers: Determined to Win

Genre: Historical

Produced by: Derek Ham, Logic Grip Inc.

Directed by: Derek Ham

Original title: Barnstormers: Determined to Win

Lead artist: Derek Ham

Runtime: 16min

Language: English

Completed in: 2021

Synopsis:

“Barnstormers: Determined to Win.” is an interactive VR experience set to the backdrop of Negro League Baseball. Experience a time when men were prevented from playing in the Major Leagues all because of the color of their skin. Players like Josh Gibson and Satchel Paige are now brought to life in this immersive experience. Get introduced to this history from a first-person experience as the story unfolds around you.

Director’s statement:

Derek Ham, PhD is the founder of Logic Grip Inc., a VR company that looks to expand the way stories are told. He is also an Associate Professor and Department Head of Art + Design at NC State University’s College of Design. His work spans the areas of game-based learning, algorithmic thinking, and immersive media. Derek has a PhD in Design Computation from MIT, holds a Master’s in Architecture from Harvard’s Graduate School of Design, and a Bachelor of Architecture from Hampton University.

Origin: US

Devices: Oculus Rift series/Quest

Platform: Alexandria

-

The Starry Sand Beach

Genre: Documentary, Fantasy

Produced by: Lucid Realities

Directed by: Nina Barbier, Hsin-Chien Huang

Original title: La plage de sable étoilé

Lead artist: Nina Barbier, Hsin-Chien Huang

Runtime: 15min

Language: French, English, Chinese

Completed in: 2021

Synopsis:

The Starry Sand Beach is a scientific tale in virtual reality that takes us on a journey to discover the star-shaped foraminifera, small organisms of crucial ecological importance threatened by global warming and ocean acidification. The experience is divided into three parts: the legend, the underwater forest, and the exploration of the Earth’s ancient geological memory. All throughout the experience and along with the foraminifera, you witness signs of the many threats to the marine and coral microorganisms, embodied by sea serpent symbolizing the acidification if the oceans. You are invited to travel vertically from the sea to the sky, starting in a small room before moving deep into the sea and finally returning to the stars.

Director’s statement:

Nina Barbier : In this project, I intended to match science and poetry, as the stars combine these two elements: for science, they are a plasmatic celestial corpse shining from their own light, but in a poetic and mythologic way, they tell stories and legends.
Hsin-Chien Huang : The essence of this experience is to understand the starry beach sensibly and rationally. Both the sensible mythical tale and the rational scientific explanation are equally important to create the full experience.

Origin: France

Devices: HTC Vive series/Oculus Rift series/Quest w/link

Platform: Alexandria

-

End of Night

Genre: Drama, Narrative

Produced by: Mikkel Skov, A Makropol production - in co-production with Novelab

Directed by: David Adler

Original title: Nattens ende

Lead artist: David Adler

Runtime: 49 minutes

Language: English

Completed in: 2021

Synopsis:

1943. You are sitting in a boat with Josef. He is rowing from Nazi-occupied Denmark to safety in neutral Sweden. As the boat crosses the ocean, the sea gives way to the streets and people that populate his mind. Your journey together becomes a living landscape of painful recollections from the night of his escape. As dawn draws near, you will witness the trauma of escape and the guilt of surviving – when loved ones are left behind.

Director’s statement:

End of Night is a story that probes how the choices we make in the present eventually become memories. It is a reconstruction built from emotions like regret, nostalgia and pride. I want the audience to have a personal meeting with a refugee – someone whose life is defined by memories. I worked with the story of my family, as well as the stories of escape that have shaped my native city.

Origin: Denmark

Devices: HTC Vive series/Oculus Rift series/Quest w/link

Platform: Alexandria

-

Red Tail EP.1

Genre: Animation, Drama, Fantasy

Produced by: Yi-Ching CHEN, Zero One Film, Funique VR, Kaohsiung Film Archive, Taiwan Public Television Service Foundation

Directed by: Fish Wang

Original title: 紅尾巴 EP.1

Lead artist: Fish Wang

Runtime: 7min

Language: English, Mandarin

Completed in: 2021

Synopsis:

At a train station floating in the cloud, a mysterious red tail catches the boy’s attention. Chasing the red tail, the boy has traveled through countless magical places, ran into the bizarre creatures, and finally he meets the gentleman, who seems to know his secrets more than he does. When the red tail reminds the boy of his own memory and sadness, what’s the secrets hiding behind, and where will it lead him next?

Director’s statement:

During the period of growing from children to adults, numerous struggles happen. Teenagers are eager to be understood, while the physical changes of their bodies are easy to be noticed, the dramatic inner transformations are often ignored. Through this VR work, I would like to let the viewers know: We all have red tails, as pain is a part of growing up. Let’s enjoy our lives with tears and laughter, and we’ll all become a better self.

Origin: Taiwan

Devices: HTC Vive series/Oculus Rift series/Quest

Platform: Alexandria

-

Delightful Garden VR – Sights of Sins by Hieronymus Bosch

Genre: Art/Culture, Educational, Narrative

Produced by: Michael Gödde, Videoreality GmbH

Directed by: Carolin Wedler

Original title: Delightful Garden VR. Eine Virtual Reality Erfahrung im Garten der Lüste von Hieronymus Bosch

Lead artist: Carolin Wedler

Runtime: 20min

Language: English

Completed in: 2021

Synopsis:

In the virtual reality experience DelightfulGardenVR, visitors can literally step through the canvas into Hieronymus Bosch’s “Garden of Delights” painting and experience an exciting adventure inside. The contents of the original painting were reconstructed in 3D and brought to life. The user learns more about the painting’s theme and motifs by helping a desperate garden inhabitant stoping his fellow human beings from sinning, in order to preserve the paradisiacal garden.

Director’s statement:

6 years ago our tiny team began the giant attempt to bring Hieronymus Bosch’s famous painting “The Garden of Earthly Delights” to life. To utilise the power of Virtual Reality and step through the canvas into the painting, to materialise this ancient world of symbolism and unparalleled imagination. We wanted to visit this place that doesn’t exist, so creating it turned out to be one of the most valuable journeys we went on. Today we can finally take other people with us into the garden.

Origin: Germany, Hessen

Devices: HTC Vive series/Oculus Rift series/Quest

Platform: Alexandria

-

Glimpse

Genre: Animation, Drama

Produced by: Lee Harris, Mr Kite Ltd, Albyon

Directed by: Benjamin Cleary, Michael O'Connor

Original title: Glimpse

Lead artist: Benjamin Cleary, Michael O'Connor

Runtime: 23min

Language: English (French Subtitles)

Completed in: 2021

Synopsis:

A panda called Herbie is holed up in his illustrator studio after a bad breakup with a talented deer called Rice. Using Herbie’s art we delve back through the memories of their relationship from the heartbreaking end to the beautiful beginning; a dreamlike voyage through his mind, his heart and his illustrations.

Director’s statement:

Over the course of the piece we want someone to experience the full force of falling in love, dancing with another soul for a while and then losing that love as it all becomes a cosmos of memories.
Bringing Glimpse to life has been one of the most challenging and fulfilling projects we have ever undertaken. We set out to help define the grammar of immersive storytelling and contribute to the emerging canon.

Origin: UK, France, Ireland

Devices: HTC Vive series/Oculus Rift series/Quest w/link

Platform: Alexandria