Projects

Projects

Cannes Docs

Fairy, Einstein and the Cherry Tree

Original title: Fairy, Einstein and the Cherry Tree

Directed by: Haruo Inoue

Produced by: Mitsuhiro Nakamura (Japan), Makoto Sugano (Japan)

Country of production: Japan, Kyoto/Hiroshima

Runtime: 50', 90'

Expected release: September, 2023

Production stage: In production

Budget: $262,000 USD (35% secured)

1st feature: No

Looking for: Sales agents, international distributors, Co-producers, strategic guidance, investors, funders

Synopsis:

Sano Toemon, 93 years of age, is a worldwide celebrated cherry blossom expert. Sano – who listens to the “voices” of his beloved cherry trees – has lived through as many experiences as the thousands of trees he cared for but never talked about these. However, he realizes that soon – like the weathered leaning cherry tree he might not be able to save – his juices of life will stop flowing, and his memories will wither away like fallen blossoms. So his grand-granddaughter visits him and, in an intimate conversation, gently rakes together the life lessons he now wants to share with the audience.

Director’s profile:

Inoue Haruo’s film The Reality Behind What We See was selected for competition at 19 international film festivals and won 10 awards including the Best Director Award and Grand Prix. He recently finished a documentary film, Vertigo, in memory of the late poet Jonas Mekas, who was considered the father of American avant-garde art cinema.

Producers’s profile:

Nakamura Mitsuhiro spent his school days in Kyoto and worked as a math teacher at a cram school before entering the TV production business. He has also worked for many years on programs introducing the history, culture, and tourist information of Kyoto and Nara, and has made it his life’s work to make use of his knowledge and connections. Co-Producer, Sugano Makoto has been working as a TV program director on art and science documentaries since 2005. In 2017, he also internationally co-produced a documentary of the first female surfer in Bangladesh. He also plays a role as a committee member of Tokyo Docs, the Japanese largest industry event for docs.

Cannes Docs

Asteroid 2518

Original title: Asteroide 2518

Directed by: Amanda Ruttlant

Produced by: Amanda Rutllant (Make More Meaning Media, Chile) Constanza Luzoro (Pataka Animation, Chile)

Country of production: Chile

Runtime: 62'

Expected release: April, 2024

Production stage: Late Production

Budget: $229,847 (31% in place)

1st feature: Yes

Looking for: Co-producers, gap financing, strategic guidance, festivals.

Synopsis:

As I struggle tu understand my heritage, an autoimmune disease will push me to undertake an unexpected journey through time and space.

Director’s profile:

Amanda Rutllant is a Chilean/Brazilian Documentary Filmmaker and Master in Sociology, passionate for digital and new narrative aproches as well as found footage and home movies. She has worked for the United Nations and International Think Tanks as a consultant in narrative analysis. She started her career in documentary filmmaking in 2014 with her short film Of the 90’s and something, selected to the 10th version of the Rengo International Film Festival. She has directed and produced several short documentary films and has been AD in viral contents for social media. In 2019 she was executive director of the digital platform OpinaDocs, showcasing new chilean short documentarty film talents. She currently works in her own production company/digital marketing agency. Asteroid 2518 is her first feature film.

Producers’s profile:

Constanza Luzoro has a degree in Audiovisual Communication with a mention in Scripts for Film and Television. After working for five years at the Santiago International Film Festival, SANFIC, she worked as an assistant director in several national productions. After, she begins to dedicate herself exclusively to audiovisual production, writing and collaborating in scripts such as the short film A history of two women by Max Sotomayor, the winning documentary of InEdit 2019 Something is happening produced by Red Bull and directed by Tomás Alzamora, the children’s animation series Guitarra y Tambor (PUNKROBOT; HYPPE), and Dream in (STOON). In 2018 she teamed up with Kike Ortega to found the audiovisual content platform PATAKA, where she currently produces the 2D animation series Outlandish, winner of Corfo Series 2018, and developed the Stop Motion webseries Pajarones.

Goes to Cannes

A Place of Our Own

Category: Film Bazaar Goes to Cannes

Directed by: Ektara Collective

Produced by: Ektara Collective

Country of production: India

Original title: Ek Jagah Apni

Genre: Feature film

Language: Hindi

Runtime: 90min

Completed in: 2022

Laila and Roshni, two transwomen, are looking for a house after they are evicted from the place they rented. It soon becomes evident that their search for a home is also their ongoing search for a place in this society that wants to keep them away in a section that can not be the centre.

Ukraine in Focus

Lapalissade

Category: Ukrainian Features Preview

Directed by: Philip Sotnychenko

Produced by: Halyna Kryvorchuk (Viatel), Valeria Sotnychenko, Sashko Chubko (Contemporary Ukrainian Cinema)

Country of production: Ukraine

Original title: La Palisiada

Genre: Feature film

Language: Ukrainian, Russian

Runtime: 110

Completed in: 2022

Synopsis:

Two old friends, a police detective and a forensic psychiatrist investigate a murder of a colleague whose widow they both loved when they were young. Immersed in memories of the past, they unconsciously create a future for their children where they reap the fruits of their parents’ lost hopes.

Frontières

Bury Me When I’m Dead

Category: Buyers Showcase

Directed by: Patrick Clement

Produced by: Amanda Freedman & Nicholas Santos (8890 Productions)

Country of production: USA

Genre: Drama, Horror

Language: English

After failing to keep his wife’s dying wish, a series of tragic events leads Henry to believe she’s returned to get revenge.

Frontières

Absolution

Category: Proof of Concept

Directed by: Filip Kovacevic

Produced by: Filip Kovacevic, Djordje Stankovic & Vukota Antunovic (Void Pictures)

Country of production: Serbia, Bosnia and Herzegovina, Montenegro

Genre: Adventure, Dystopian, Science-fiction

Language: English

In a barren wasteland far removed from the mythical city of the gods, there is one human settlement left. They are dying out under the leadership of a zealous priest who started conducting human sacrifice rituals after experiencing a religious vision.

Goes to Cannes

Autumn

Category: Tallinn Black Nights Goes to Cannes

Directed by: Antonio Sequeira

Produced by: Joana Domingues, Steven Flynn (Caracol Studios Kurious Studios)

Country of production: Portugal, United Kingdom

Original title: OUTONO

Language: Portuguese, English

Runtime: 120 min

Completed in: 2023

A small town Portuguese family have to confront their new life and some uncomfortable truths after their son leaves to London for university. As he returns home at the end of each trimester for the school breaks (Winter, Spring, Autumn) he discovers that he is not the only one going through changes.

Cannes Docs

Asog

Original title: Asog

Directed by: Seán DEVLIN 叶 世民

Produced by: Amanda ERNST (Beb Bingo Entertainment, Canada)

Country of production: Canada, Philippines

Runtime: 99'

Production stage: Post-production

Budget: $255.000 USD (85% in place)

1st feature: No

Looking for: Sales Agents / Distributors, Buyers, Gap Financing, Strategic Guidance, Festivals

Synopsis:

JAYA is a non-binary Filipino comedian who survived Super Typhoon Haiyan but lost their TV career when the storm destroyed the studio where they hosted their local talk show. ASOG follows Jaya on a road trip to a drag pageant and along the way they encounter Filipinos enduring the impacts of climate change, including residents of Sicogon Island whose land was stolen in the aftermath of Typhoon Haiyan.

Director’s profile:

Seán Devlin 叶 世民 is a Filipino-Canadian filmmaker and comedian. His debut feature WHEN THE STORM FADES is available on Amazon Prime and AMC+ / Sundance TV. It earned Devlin two international jury prizes for Best Director and the Emerging Canadian Director prize presented by the DGC at VIFF. It won Best Canadian Film (Gimli Film Festival) and two Vancouver Film Critics’ Awards. While screening at the 40th Cairo International Film Festival Devlin participated in Brillante Mendoza’s directing masterclass (the first Filipino to ever win “Best Director” at Cannes). Mendoza deepened Seán’s understanding of the Filipino cinematic practice of “found story”, directly shaping his 2nd feature ASOG. His debut album AIRPORTS. ANIMALS was nominated for the 2022 JUNO award for Comedy Album of the Year’. In 2023 he made his TV stand-up debut on Just For Laughs & CBC’s NEW WAVE OF STAND-UP.

Producer’s profile:

Amanda Ernst is an emerging Canadian film producer with over a decade of experience in artist and project management. As a producer at Beb Bingo Entertainment, Amanda oversees projects from the early development stage, financing, pre-production, on set, and through to distribution. Amanda is the lead producer on her first feature length film, docufiction hybrid ASOG, which will premiere at the 2023 Tribeca Film Festival. Currently Amanda serves as producer on a slate of projects including features, TV series, and an experimental Indigenous language adaptation project.

Cannes Docs

An Army of Women

Original title: An Army of Women

Directed by: Julie Lunde LILLESÆTER

Produced by: Natalya SARCH (Differ Media, Norway)

Country of production: Norway, Germany, USA

Runtime: 80', 52'

Expected release: March, 2024

Production stage: Post-production

Budget: €720.000 (95% in place)

1st feature: Yes

Looking for: Sales agent, distributors, executive producer, festivals, broadcast/streaming, strategic guidance for release, impact campaign partners

Synopsis:

Two women in Austin, Texas join forces with 13 other survivors to build a movement legally challenging the system that allowed their rapists to walk free. Their groundbreaking class-action lawsuit is the first to argue that sexual assault isn’t prosecuted due to gender discrimination. This is the landmark story of women fighting to hold law enforcement accountable, with resounding relevance worldwide.

Director’s profile:

As director and cinematographer, Julie combines a strong visual eye with a commitment to social change. Her films have explored themes such as women’s rights & equality issues, migration, and the climate crisis, and her short documentaries have been broadcast on Al Jazeera English, NRK, and The Atlantic, among others. Her work has screened at festivals such as CPH:DOX, Sheffield Doc/Fest, Hot Docs and BFI Flare. Julie’s cinematography on the documentary feature Thank You For The Rain (2017) has landed her multiple awards, including a WIFTV award for Best Cinematography. She is the co-founder of Differ Media, a production company focusing on impact-driven creative documentaries. In 2018, she was named Norwegian Video Journalist of the Year, and in 2020, she was listed on Forbes’ 30 under 30 list.

Producer’s profile:

Natalya Sarch has worked in the U.S., The Netherlands, and Norway on projects such as Trust Me (2021), Neighbors (2017) and No Time to Lose (2017). Her Interactive project Another Dream (2019) by Tamara Shogaolu premiered at the Tribeca Film Festival. In 2020, Natalya joined forces with Julia Dahr and Julie Lunde Lillesæter at the independent production company Differ Media, based in Oslo, Norway. We tell character-driven, visually strong stories about some of the most important issues of our time. Our films have focused on issues like climate change, LGBTQ+ rights, migration and human rights. Differ’s productions have been broadcast in 60+ countries, and have been co-produced with broadcasters like Arte/ZDF, Al Jazeera, and NRK. In 2018, our feature Thank You for the Rain won Doc Society’s DocImpactHi5 award for its impact campaign.

Cannes Docs

Honeydew

Original title: Honeydew

Directed by: Marco BERGONZI, Michael PETROLINI

Produced by: Simone CATANIA, Francesca PORTALUPI (Indyca SRL, Italy)

Country of production: Italy, Sweden

Runtime: 87'

Expected release: September, 2023

Production stage: Post- production

Budget: €493.866 (83% in place)

1st feature: Yes

Looking for: Festivals, Distributors, Buyers, Gap financing

Synopsis:

Honeydew isn’t just a town it’s a state of mind. Maureen, 60s, moved to the tiny Northern California enclave in her 20s, seeking freedom in its purest form. But her simple life of writing country songs and illegally cultivating weed is disrupted due to the legalization of marijuana. Unable to adapt to government bureaucracy she has no choice but to surrender her corner of paradise to a younger generation.

Director’s profile:

Born in Parma, Italy in 1991, Marco Bergonzi obtained a degree in Architecture at the Polytechnic University of Milan. He returned to Parma where he completed his studies in 2018 with a multidisciplinary thesis about informal living. Through this research he came into contact with humanistic disciplines such as anthropology and sociology. As a passionate photographer/cinematographer, and storyteller, he has dedicated the last three years to documentary cinema. Honeydew is his first feature length film.

Co-Director’s profile:

Born in Turin, Italy in 1992, upon graduating from Liceo socio psico pedagogico, Michael Petrolini enrolled as a Sociology major in Milan but later took a hiatus from his studies to work and travel. Over the next five years he journeyed and worked an array of jobs in the United States, Australia, Japan, Taiwan, South East Asia and Africa. In 2017 he took classes at the Rosencrantz & Guildenstern school of cinema in Bologna, where he graduated in November 2018. Honeydew is his first feature length film.

Producer’s profile:

Simone Catania is director and producer. In 2007 he cofounded Indyca in Turin, an independent movie production company oriented to international co-production. He produced films premiered at important international film festivals like Venice Film Festival, SXSW, IDFA, HotDocs and nominated at prestigious prices such as EFA and Nastri d’Argento, among the others. Currently, he is also working on an international coproduction film titled ‘Samia’ directed by Yasemin Samdereli.
Francesca Portalupi started her career in the film production with the documentary ‘Almost Married’, which premiered at IDFA in 2010. She joined Indyca in 2019 where she is executive producer of creative documentaries and feature films. Among the productions: ‘Happy Winter’ (premiered in Venezia), ‘We Are the Thousand’ (SXSW), ‘Cuban Dancer’ (Miami, San Francisco) and ‘The Store’ (BFI, Rotterdam).