Projects
Projects
The Remnants of the Pass
Original title: Los restos del pasar
Directed by: Alfredo PICAZO, Luis SOTO
Produced by: José Alberto ANDRÉS LACASTA (DU CARDELIN STUDIO) and Daniel PEÑA BARREDO (MUBOX STUDIO)
Country of production: Spain
Runtime: 81'
Expected release: June, 2023
Production stage: Post-production
Budget: €85.000 (80% in place)
1st feature: Yes
Looking for: International Sales Agents, Distributors, Festivals, Co-Producers
Synopsis:
Antonio remembers a Holy Week from his childhood in a remote village in Córdoba. Seven days that turned him into the man he is and the child he cries to be again. A letter from an adult mind, in memory of the past.
Director’s profile:
Alfredo Picazo. Director, filmmaker and colourist Baena (Córdoba). He studied at the Escuela Universitaria de Artes TAI and specialised in Film Directing. At the same time, he trained and qualified as a certified colourist. His career includes the direction of the medium-length film “Buona Novella” (2019, Alfredo Picazo and Soto Muñoz) and the short film “Apollo”. He has also directed music videos such as “Su Mirada” and “Bruma Sobre Madriz” by the artist L’Voy. Together with Soto Muñoz, he directed the cinematography of “El Cuento del Limonero”. His first professional short film as director and scriptwriter is “Cuando se hundieron las formas puras”, a free version of the story of Federico García Lorca during the Spanish Civil War. Winner at the Montreal International Film Festival as Best New Director 2022. “The remnants of the pass” (2023) is his first feature film as a director.
Co-Director’s profile:
Luis Muñoz, “Soto” Baena (Córdoba). Graduated in Cinematography and Audiovisual Arts at TAI School. Specialised in directing at TAI School.At the age of 19 he founded the collective La Huelga de las Sardinas, through which he produces most of his work.His films are characterised by the use of rural areas as a backdrop. Interested in decentralised production models, he shoots his films, imbuing them with an aura of escapism in the face of urban freneticism. His work deals with themes such as absence, memory and adolescent drifting, inevitably impregnated with traces of magical realism and phantasmagoria inherited from Latin American literature. In addition he develops his work in other audiovisual fields such as advertising production and pedagogy. Works: El Cuento del Limonero (medium-length film 2021) Circo de Pulgas (short 2022); The remnants of the pass (documentary 2023).
Producer’s profile:
J. Alberto Andrés Lacasta.Doctor in Legal Sociology (University Zaragoza) Master’s Degree in Film Scriptwriting. Master in Production and Direction of Audiovisual Content. He studied Video at the Professional School of Fine Arts. He has developed his career as a scriptwriter, script reviewer, producer and director. He has won more than 40 awards and has participated in more than 300 festivals. He is a member of Academy of Cinematographic Arts and Sciences and founder of Du Cardelin Studio. Recent Work as director, writer or producer: A woman without a shadow (2013 documentary); Behind Nazarín (2015 documentary); Epilogue to the death of Faun (2016 short); Ofra&Khalil (2019 short); Sebastienne (2021 short); Buñuel un cineasta surrealista (2021 documentary); Manolo Kabezabolo (2023 documentary); Las gemelas Atomikas (2023 documentary Movistar+);The remnants of the pass (2023 documentary).
10s Across the Borders
Original title: 10s Across the Borders
Directed by: CHAN Sze-Wei
Produced by: Alemberg ANG (Daluyong Studios, Philippines), TAN Si En (Momo Film Co, Singapore), Yasmin RAMS (Perennial Lens, Germany/USA), CHAN Sze-Wei (Oddpuppy Productions, Singapore), Executive Producers - Derren LAWFORD and Daniel KARSLAKE (DARE Pictures, UK)
Country of production: Philippines, Singapore, Germany, UK
Runtime: 90' / 52'
Expected release: February 2024
Production stage: Late Production
Budget: €484.000 (53.89% in place)
1st feature: Yes
Looking for: Broadcaster, TV co-productions, finishing funds, sales and distribution
Synopsis:
10s Across the Borders is a hybrid dance flm and observational documentary following the three
trailblazers in the underground ballroom scenes of Thailand, Malaysia, and the Philippines. We witness
their journeys as they hold on to both their ballroom and birth families, connect with the subculture’s
origins in New York City, and build a fourishing queer community across Southeast Asia
Director’s Profile:
Sze is a documentary and experimental dance flmmaker who observes alternate histories, identities and social issues as expressed in the body, movement and art. They are also a choreographer, arts journalist, parent and activist for LGBTQIA+ and artists’ rights. Sze’s dance and experimental flms have screened across Europe, the Americas and Asia since 2015. Mentors include Tan Pin Pin (Singapore) and Alex Reuben (UK), and they are a member of the Cinemovement Collective (Singapore) founded by Jeremy Chua and Elysa Wendi. Their frst feature has been presented at Cannes Docs, Sheffeld MeetMarket, and Poitiers Film Festival and will have its world premiere at the Busan International Film Festival in their Documentary Competition section. When not making art, they are also a specialist on the legal integration of the Association of Southeast Asian Nations.
Producer’s Profile:
Working with first and second-time filmmakers, Alemberg Ang produces films that provide a voice to marginalized communities. Recent projects include RIA (Cannes Residency CNC Award), Plan75 (Camera d’Or Special Mention, Cannes 2022), and Divine Factory (Cannes Docs-in-Progress award, Singapore International Film Festival SEA-DOC Grant).
Yasmin Rams is a producer and director based in Germany and Los Angeles, who produced the IDFA Bertha Awarded In Exile (2016). Her award-winning film Go Heal Yourself (2022) had a German cinema run of 10 weeks. Tan Si En is a film & TV producer, and founder of Momo Film Co. She was the producer for Wet Season by Anthony Chen, which world premiered at the Toronto International Film Festival. Her co-production The Year Of The Everlasting Storm premiered in Cannes, and Arnold is a Model Student by Sorayos Prapapan premiered in Locarno.
Rebelled
Original title: Rebeladas
Directed by: Andrea GAUTIER, Tabatta SALINAS
Produced by: Dafne ESPINOSA, Julio FERNANDEZ (Perro Rojo, Mexico); Manuel DIAZ, Andrea GAUTIER, Juan GAUTIER (Smiz and Pixel, Spain)
Country of production: Mexico, Spain
Runtime: 80'
Expected release: March, 2024
Production stage: Final cut
Budget: €227.328,53 (70% in place)
1st feature: Yes
Looking for: Festivals, Sales agents, Distributors, Buyers
Synopsis:
40 years ago in Mexico, a group of women filmmakers gathered to make films dealing with taboo subjects, gender violence, rape, feminicide, clandestine abortion, labor discrimination. They called themselves “Cine Mujer” and were active as a collective for over 10 years. Today they reflect on violence against women and their continuous struggles, which are still prevalent in modern society.
Director’s profile:
Andrea Gautier was born in Madrid in 1980. A producer, journalist and cultural manager, as well as an advisor in the cabinet of the Minister of Culture, González Sinde. Since 2011, she has been producing both fiction and documentary films, focusing on arts, culture, and society from a critical feminist perspective, while also teaching film production in several institutions offering high audiovisual studies. Andrea is an alumna of Berlinale Talents. “Rebeladas” is her first feature film, co-directing with Tabatta Salinas (Mexico).
Co-Director’s profile:
As a director, Rebeladas will be Tabatta Salinas’ first feature documentary. She has a degree in Communication Sciences from the Intercontinental University, with professors such as Paty Luke, Ximena Urrutia or Mario Luna. She is a member of the board of directors of the Association of Producers of Madrid (AMA) and of the Spanish coordination of short films. Part of the production team of the Fluffers del CCC generation, she has directed mainly on advertising and web content. Her latest short film was selected for Shorts Mexico (September 2016).
Producer’s profile:
Manuel Díaz Pereda (Mintxo Díaz), Bilbao, 1980. In 2011 he created his own production company, DYNAMITE FILMS S.L. the projects are focused in a visual quality and an international feature.In 2016 he got completely involved in the production of his first company’s feature film, Maus in coproduction with Apaches Entertainment, Cine 365 and Orange. In collaboration with “Next Step” – Semaine de la Critique du Festival de Cannes. He participated in the Berlinale Talents 2017.
Sima’s Song
Category: Spanish Screenings Goes to Cannes
Directed by: Roya Sadat
Produced by: Alba Sotorra SL / Baldr Films (NL) / Urban Factory (FR)
Country of production: Spain, Netherlands, France
Original title: LA CANCIÓN DE SIMA
Language: Farsi, Russian
Runtime: 90'
Completed in: 2024
In the pre-civil war context in Afghanistan, Suraya (communist) and Sima (conservative) keep their lifelong friendship alive despite their opposing life choices. While Suraya becomes a part of the communist party in power, Sima gets involved with the mujahideen to defend Muslim values.
The Shelter
Category: Fantastic 7
Directed by: Talal Selhami
Produced by: Lamia Chraïbi
Country of production: France, Morocco
Original title: Le Refuge
Genre: Psychological Horror
Language: Arabic, French
Cairo International Film Festival
Paris. A Syrian refugee and war survivor, has to take care of an old invalid French man at the end of his life, but being close to death again awakens ghosts from the past.
Rock Bottom
Directed by: Maria Trenor
Produced by: Alba Sotorra SL, co-productions companies : GS Animation, Jaibo Films, Empatic
Country of production: Spain, Poland
Original title: Rock Bottom
Language: English, original language : Catalan
Runtime: 80'
Completed in: 2024
Through the music of Robert Wyatt, the animated musical “Rock Bottom” plunges into the passionate love story of Bob and Alif, two young artists immersed in the creative whirlwind of early 70’s hippie culture.
Caleta Palace
Category: Málaga Goes to Cannes
Directed by: José Antonio Hergueta
Produced by: José Antonio Hergueta (MLK Producciones)
Country of production: Spain
Original title: Caleta Palace
Language: Spain
Runtime: 97'
Completed in: 2023
The siege of Malaga in Feb 1937 shook the World: a libertarian revolution would end under Italian tanks. Out of memories of journalists and writers who lived or passed by Red Málaga, reenacted by 8 players, this fake documentary recreates the fall of the first Republican city in Spanish Civil War.
Hani
Category: HAF Goes to Cannes
Directed by: Hou Dasheng
Produced by: Wang Hongwei, Li Zhaoyu, Li Shuaizhi (Jiagu Culture Communication Co. Ltd)
Country of production: Canada
Original title: 哈尼
Language: Putonghua, Hani Language
Runtime: 90'
Completed in: 2023
Deep in the mountain, 14-year-old Hani and 12-year-old Pushkar are ready to wed. After Hani makes a reckless act to obtain money for the dowry, the love between them is extinguished.
Triple Oh!
Category: Queer Screen Goes to Cannes
Directed by: Poppy Stockell | Writer: Erica Harrison
Produced by: Poppy Stockell, Alexandra Galloway, Tamasin Simpkin | Sirius Pictures
Country of production: Australia
Original title: Triple Oh!
Language: English
Runtime: 45'
Completed in: 2023
Triple Oh! is a dark comedy-drama following the lives of two ambulance paramedics, as they save lives in absurd medical emergencies. Their personalities clash and are tested when street-smart Tayls introduces by-the-book Cate to her unconventional policy of having sex when a patient dies.
Consider Vera
Directed by: Marina Stepanska
Produced by: Natalia Libet | Esse Production House
Country of production: Ukraine
Original title: Consider Vera
Language: Ukrainian
Runtime: 100'
Budget: 1 253 875 Eur
Completed in: 2025
Nina is a 6-year old curious girl who lives with her mother Antonina in a small village on the outskirts of Kyiv. Vera, a wild woman, appears in their small village and changes their lives dramatically. A film about womanhood in Ukraine in the 80s.