Projects

Projects

Frontières

In Flames

Category: Buyers Showcase

Directed by: Zarrar Kahn

Produced by: Citylights Media Inc.

Country of production: Canada, Pakistan

Genre: Horror, Psychological

Language: Urdu

After a fatal accident claims the life of Mariam’s boyfriend, she is haunted by unresolved grief. But, when her thoughts twist into vivid hallucinations, she must choose to confront her past or let her nightmares consume her.

Frontières

Roqia

Category: Proof of Concept

Directed by: Yanis Koussim

Produced by: Farès Ladjimi

Country of production: Algeria, France, USA

Genre: Horror

Language: Arabic

1993. Ahmed becomes amnesic after a car crash. Nowadays. An old raqi, a Muslim exorcist, is suffering from a dazzling Alzheimer. While Ahmed is increasingly afraid of recovering his memory, the raqi’s disciple fears that the loss of his master’s will causes the return of an evil locked up years ago.

Fantastic 7

The Bad Mother

Category: Fantastic 7

Directed by: Alicia Albares

Produced by: Alberto Díaz, Alexandre Bas, Cristina Urgel, Eva Moreno

Country of production: Spain

Original title: La mala madre

Genre: Horror

Language: Spanish

Festival Internacional de Cine en Guadalajara

Victoria, a journalist who has written a highly controversial book on motherhood, wakes up in a house with no memory. Ángel, a doctor, tells her that she has had a car accident, in which his daughter died. The presence of a pregnant woman will help her discover the truth.

Animation Day

When Adams Changes

Directed by: Joël Vaudreuil

Produced by: Parce que films

Country of production: Canada

Original title: Adam change lentement

Language: French Canadian

Runtime: 90min not completed

Completed in: 2023

Adam is a 15-year-old teenager who has the strange peculiarity of having a body that changes, depending on the teasing and negative comments he receives from those around him. The accumulation of his physical changes just adds a layer to his already complex life.

Cannes Docs

Minor Attraction

Original title: Minor Attraction

Directed by: Amelia Evans

Produced by: Letisha Tate-Dunning (Little Fire Productions, New Zealand) Sam Oliver (Unvoicedmedia, United States)

Country of production: New Zealand, United States

Runtime: 90'

Expected release: December, 2022

Production stage: Post-Production (Advanced rough cut)

Budget: $251,000 (23% in place)

1st feature: Yes

Looking for: Sales agents / distributors, buyers, strategic guidance

Synopsis:

A filmmaker attempts to craft empathetic portraits of three people who acknowledge they have pedophilic desires but who claim never to have sexually interacted with a child—and who each want more support to keep it that way. What emerges is an intimate exploration into shame and loneliness, the limits of empathy, and the cost of our collective silence around desire, pleasure and the body.

Director’s profile:

Amelia Evans, a human rights lawyer-turned-filmmaker, is originally from New Zealand. She moved to the United States in 2010 after receiving a Fulbright Scholarship to study, and later teach, at Harvard University’s International Human Rights Clinic. But she had a hidden agenda: to learn filmmaking. She began sitting in on courses offered by nonfiction filmmakers she had long admired—Ross McElwee, Robb Moss and Alfred Guzzetti—eventually becoming part of the filmmaking community in Cambridge, MA. She has since received numerous art fellowships from some of the leading art institutions and residencies in the US for her work on Minor Attraction, including the Yerba Buena Center for the Arts, MacDowell, Millay Arts, Blue Mountain Center and Yaddo. She was named one of Independent Magazine’s “10 Filmmakers to Watch”. Minor Attraction is her first feature film.

Producers’s profile:

Producing in both London and New Zealand for the past 7 years, Letisha Tate-Dunning has worked on uncovering stories from the farthest corners of the globe. Her short documentary OK Chlöe (Dir: Charlotte Evans) was picked up by The New Yorker Documentary and numerous festivals including Short of the Week and Cinequest and she is currently in development on a follow-on feature documentary. Her docuseries We Speak Music screened at Sheffield DocFest and BFI London and most recently she produced a local story for Netflix Original docuseries Stories of a Generation. She is currently completing a producer placement with Catherine Fitzgerald of Blueskin Films, courtesy of the New Zealand Film Commission, and works part-time as a development producer for Warner Bros. NZ. She is in development on three feature documentaries, as well as several scripted and television projects.

Cannes Docs

Yintah

Original title: Yintah

Directed by: Michael Toledano; Jennifer Wickam; Brenda Michell

Produced by: Jennifer Wickam; Brenda Michell; Michael Toledano; Franklin Lopez (Yintah Film Ltd., Canada)

Country of production: Canada

Runtime: 90'; 44' (CBC broadcast)

Expected release: January, 2023

Production stage: Rough cut edit

1st feature: Yes

Looking for: International distributor; festivals

Synopsis:

Yintah (the Wet’suwet’en word for land) follows Howilhkat Freda Huson and Sleydo’ Molly Wickham as they mobilize their nation in a decade-long battle against fossil fuel corporations, the Canadian government, and militarized police. Building homes and a healing centre on the route proposed for a series of gas and oil pipeline projects, Wet’suwet’en families assert their right to protect their land.

Director’s profile:

Michael Toledano is an award winning filmmaker and journalist based in British Columbia Canada, who has been documenting the historic, Indigenous-led resistance to fossil fuel pipelines on Wet’suwet’en territory since 2014. Michael has a strong background in photojournalism and documentary filmmaking. His work has been published by VICE, Al Jazeera America, Democracy Now!, CBC Fifth Estate, and shown across every major Canadian television news network. He is known for vibrant, ground-level documentation of social movements ranging from Black Lives Matter Toronto to No One is Illegal.

Jennifer Wickham is a member of Cas Yikh (Grizzly House) of the Gidimt’en (Bear/Wolf) Clan of the Wet’suwet’en people. She fell in love with Wedzin Kwa in 2012 and moved home to defend her against the multiple pipelines proposed through her traditional territories. (ctd. below)

Co-Director’s profile:

Brenda Michell is Chief K-eltiy of the Unist’ot’en people of the Wet’suwet’en Nation. She has lived in the Wet’suwet’en communities of Witset and Burns Lake all her life, and was groomed to participate in Wet’suwet’en governance from a young age. Brenda is trained as a Wet’suwet’en language instructor and has worked as a post-secondary education coordinator for the Lake Babine Nation Band for decades. Brenda is a grandmother of ten and this fight is about protecting the Yintah for her grandchildren. She believes that this film is an important way to tell her people’s story and listen to the words of her Grandmother Knedebeas who always told her children, “Don’t let no white man take my yintah.”

Producers’s profile:

Jennifer Wickham is the Media Coordinator for Gidimt’en Checkpoint, a published poet, and is committed to defending the land for future generations. Her professional career includes being a high school educator, youth advocate, and work in language and culture revitalization.

Born in San Juan, Puerto Rico, producer and editor Franklin López has been making political films for over 30 years, with a focus on social justice and environmental issues. He has published hundreds of films online since 1998 under the name subMedia, which have been watched by millions, broadcast on international TV networks and screened in alleyways and movie theaters all around the world. He has received accolades from the New York Times and Wired Magazine and had an entire chapter dedicated to this work in Breaking the Spell, a book about video activism.

Cannes Docs

Peace for Nina

Original title: Мир для Ніни

Directed by: Zhanna Maksymenko-Dovhych

Produced by: Lyuba Knorozok (PE Lyuba Knorozok, Ukraine), Dea Gjinovci (Astrae Productions, Switzerland)

Country of production: Ukraine, Switzerland

Runtime: 90' / 52’

Expected release: November, 2022

Production stage: Post Production

Budget: €149,700 (60% in place)

1st feature: Yes

Looking for: Finishing funds, festivals, sales/distributors

Synopsis:

In a country at war, a Ukrainian mother channels her grief into action as she seeks justice for her son’s murder by a russian mercenary. Will Nina succeed in breaking the cycle of violence plaguing her family and finally find peace?

Director’s profile:

Zhanna Maksymenko-Dovhych is a film director and producer from Kyiv, Ukraine. Following her graduation from the Institute of Journalism of Kyiv State University in 2000, she worked in media and television where she started her career as a journalist and scriptwriter. As a producer she has taken part in launching MTV in Ukraine, and also managing various Ukrainian TV projects. She directed and wrote her first short fiction film Boxers in 2010. Today, Zhanna mostly works in the documentary field, focusing on social-issue films. Her works participated at such film festivals as GoEast IFF, BEAST IFF, Lisbon Film Preview, Odessa IFF, Docudays UA, Inconvenient Films Festival and received awards at DocuBaku (Azerbaijan), Molodist IFF, Dream city and Open Night film festival in Ukraine. As well as broadcasted on Ukrainian Public TV and in cinemas. She is the Head of Ukrainian Director’s Guild.

Producer’s profile:

Lyuba Knorozok is a film producer based in Kyiv, Ukraine. Among her latest projects are the documentary Infinity According to Florian by Oleksiy Radynski (World premiere at the Rotterdam IFF 2022) and fiction film Citizens of the Cosmos by Anton Vidokle (World Premiere at the Berlinale in 2020). She also worked as a production manager at the film Donbass by Sergei Loznitsa, 2018 (which won Un Certain Regard for Best Director at the 2018 Cannes Film Festival) and Frost by Sharunas Bartas, 2017 as line producer. Her films participated in various film festivals, such as DOK Leipzig, Internationale Kurzfilmtage Oberhausen, Nowe Horyzonty IFF and many others and received awards at Docudays UA, Molodist IFF, Kyiv ISFF etc. Lyuba Knorozok is the member of DAE (Documentary Association of Europe) and EWA European Women’s Audiovisual Network, and a participant of Berlinale Talents 2022.

Cannes Docs

Mannvirki

Original title: Mannvirki

Directed by: Gústav Geir Bollason

Produced by: Hrönn Kristinsdóttir 5Go to Sheep ehf., Iceland), Annick Lemonnier (Epileptic, France)

Country of production: Iceland, France

Runtime: 70'

Expected release: June, 2022

Production stage: Postproduction

Budget: € 140,184 (in place)

1st feature: No

Looking for: Festivals, sales agents, distributor, buyers

Synopsis:

Landscape in the century of the man. Midst in there a post-industrial structure that has been shaped by the forces of nature. The ruins in process, where workers add to the decay of the building. Creatures, animals, vegetation come in touch with the building and afgfect it, each in its own manner.

Director’s profile:

Gústav Geir Bollason (b.1966) studied at the Icelandic College of Arts and Crafts (forerunner of the Icelandic University of the Arts) 1986-1989, studied drawing for a year at Budapest, Hungary, and graduated with the degree of DNSEP from Ecole d´Art de Cergy, in France 199. Gústav´s work takes on the form of drawings, constructed objects, remaking of found objects and film works. He works equally with abstract presentation, recreation and parallels and he invents processes where he contrasts different methods and subjects. He explores places with a history, traces of human habitation, or collects objects rendered outlandish by natures treatment. Gústav´s work has been shown at solo exhibitions as well as in group shows in Iceland and abroad (Paris, New York, San Fransisco to name a few) Gústav´s last feature film Carcass (2017) premiered in Rotterdam.

Producers’s profile:

Hrönn Kristinsdóttir has been active in the Icelandic Film Industry since 1997, she has produced and co-produced numerous features, documentaries and shorts. She was a board member of the Association of Icelandic Filmproducers 2007-2012, a jury member for the Nordic Film Awards 2005-2007, founder and board member of Wift Iceland (Women in Film and Television). She did receive the Edda Awards for the production of Ikingut 2001 and in 2000 she was Iceland´s representative in EFP “Producers on the Move” in Cannes. Hrönn´s last produced feature film Lamb by Valdimar Jóhannsson won the prize of originality in Un certain Regard in Cannes 2021.

Cannes Docs

The Jacket

Original title: The Jacket

Directed by: Mathijs Poppe

Produced by: Elisa Heene (Mirage, Belgium)

Country of production: Belgium, France, Lebanon

Runtime: 80', 50'

Expected release: May, 2023

Production stage: Preproduction

Budget: €325,750 (63% in place)

1st feature: Yes

Looking for: Festivals, sales agents / distributors, buyers, gap financing

Synopsis:

Jamal Hindawi (50), Palestinian, lives with his family in Shatila camp in Beirut, where he makes political theatre. He is currently working on a play that tells the story of an old jacket that symbolises the Palestinian identity. But the evening before the premiere, Jamal loses the theatre prop. He starts a nightly journey through the streets of Beirut and is confronted with a city in radical transition.

Director’s profile:

Mathijs Poppe, born in 1990 in Ghent (Belgium), graduated in 2017 with great distinction from School of Arts Ghent (KASK) with Ours is a Country of Words. For this medium length documentary, he worked together with a couple of families in Shatila, a Palestinian refugee camp in Lebanon, to tell a story that balances on the thin line between fiction and documentary. The film was selected for Visions du Réel, screened at numerous international film festivals around the world and got awarded with a Wildcard by the Flanders Audiovisual Fund (VAF). Since then, Mathijs has developed several film and video projects as a director, cameraman and editor. At the moment Mathijs is working on his first feature film, The Jacket, in which he will continue and deepen his collaboration with the Palestinian community in Lebanon.

Producers’s profile:

Before establishing her own production company Mirage, Elisa Heene worked within different Belgian companies and contributed to projects such as Home by Fien Troch and The Miracle of Almería by Moon Blaisse. Meanwhile, she also independently produced documentary Ours is a Country of Words by Mathijs Poppe. In 2017 she joined Serendipity Films and started developing and producing documentaries and fiction films, such as Dark Rider by Eva Küpper and Howling by Laura Van Haecke. In 2020 she founded Mirage to work independently with authors and filmmakers who are critical of the world they live in and who explore new artistic terrains. Elisa is currently producing several projects including features Holly by Fien Troch and Skiff by Cecilia Verheyden and documentary The Jacket by Mathijs Poppe. She is also an alumna of the MAIA and Eurodoc Workshops and the Rotterdam Lab.

Cannes Docs

The Little Flowers of the Subway

Original title: The Little Flowers of the Subway

Directed by: Junko Kobayashi

Produced by: Tomoko Ishikawa (Japan)

Country of production: Japan, Korea

Runtime: 90'

Expected release: September, 2023

Production stage: In production

Budget: $150,000 USD (35% secured)

1st feature: No

Looking for: Sales agents, international distributors, Co-producers, strategic guidance, investors, funders

Synopsis:

In Korea, subway delivery jobs have become a lifeline for the elderly, almost half of whom are living below the poverty line and desperate for a chance at making a living. This documentary portrays the office of one such company, which rescues impoverished pensioners. The company’s owner whose own life is overshadowed by tragedy, has immeasurable pain and atonement fo beloved daughter’s suicide. The film documents the joys and sorrows of these “Subway Delivery” workers and their network of supporters.

Director’s profile:

Studied documentary filmmaking at the Japan Institute of the Moving Image. She has worked on a variety of documentaries, Message from the Phoenix-Osamu Tezuka (NHK), Andean Holy Mountain Festival-Living at an altitude of 5000m (NHK), and many other documentary programs. The feature documentary film Between Today and Tomorrow, about Japan’s leading ballet dancer Yasuyuki Shuto, was screened at the Tokyo International Film Festival.

Producer’s profile:

Tomoko Ishikawa has worked on TV documentaries for more than 20 years, She has directed and produced various programs for NHK and the other TV companies, such as about the patriotism of youth in the Ukraine Civil war, Should young people shoot guns? (15) The story about Syrian refugees living in Japan, Syrians next door (16) Documentary about star comedian Muramoto Daisuke (21) received the Satellite Broadcasting Association Award, »2021 National Association of Commercial Broadcasters Award »and so on. The feature documentary film Between Today and Tomorrow, was screened at the Tokyo International Film Festival.