Projects

Projects

Cannes Docs

Berliner

Original Title: ბერლინელი

Directed by: Anna Khazaradze

Produced by: Nino Chichua, Natalia Gagunashvili | 1991 Productions, Georgia

Country of Production: Georgia, Germany

Runtime: 90' / 52'

Expected Release: Spring 2027

Budget: €488,885 (4% in place)

1st Feature: Yes

Looking for: Co-producer, financiers, broadcasters, sales

Synopsis:

Nana, a Georgian translator based in Berlin, serves as a bridge for asylum seekers, helping them share their stories through translation and navigate the challenges of starting a new life.

Director’s Profile:

Anna Khazaradze co-founded Tbilisi-based, women-led 1991 Productions with Nino Chichua, specializing in developing and producing fiction and documentary films. The company’s recent co-production, Levan Akin’s « Crossing » (2024), opened Berlinale Panorama and received the Teddy Jury Award. The latest release of 1991 Productions is the documentary « 9-Month Contract, » which won the HUMAN:RIGHTS Award at CPH:DOX 2025.
Anna also co-directed and produced « Glory to the Queen » (2020), which won Best Documentary at Tbilisi IFF after screening at over 25 festivals. Additionally, Anna produced « Smiling Georgia » (Karlovy Vary IFF 2023, Main Award at AJB DOC Film Festival 2024) and co-executive produced « Negative Numbers » (2019). Anna holds a BA from London College of Communication (UAL).

Producer’s Profile:

Nino Chichua, the co-founder of 1991 Productions, a Tbilisi and London-based company, produces director-driven fiction and documentary films through international co-productions. She co-produced Levan Akin’s « Crossing » (2024), the opening film of Berlinale Panorama, and produced « 9-Month Contract » (2025), the winner of the Human Rights Award at CPH:DOX. Her credits also include « Smiling Georgia » (2023) by Luka Beradze, which premiered at the Karlovy Vary International Film Festival. Nino is currently producing « Tear Gas, » a narrative feature by Uta Beria (supported by ZDF, GNFC, and CNC), and « Berliner, » a feature documentary by Anna Khazaradze.

She holds a BA in Film and TV Production from NYU Tisch School of the Arts and an MA in Global Media Industries from King’s College London.

Cannes Docs

We Were a Great Family

Original Title: Éramos una gran família

Directed by: Cristina Rosselló, Chiara Marañón, Juan Soto Taborda

Produced by: Ricard SALES | LaCima Producciones, Spain)

Country of Production: Spain, Colombia

Runtime: 85'

Expected Release: June 2025

Production Stage: Post-production

Budget: € 364.168,45 (89% in place)

1st Feature: Yes

Looking for: Festivals, sales agents

Synopsis:

Miquelina, Josep, and later their son Pattet film their lives between 1942 and 1999, with no other purpose than to create future memories. Unknowingly, they capture the essence of the 20th century: everyday life shaped by Francoism, a camera that changes hands, a dictatorship transforming into a democracy, and images filled with aspirations, contradictions, and dreams of change.

Director’s Profile:

Cristina Rosselló is a film and TV editor with a solid career in the Spanish audiovisual industry. A graduate in Audiovisual Communication from the Complutense University of Madrid, she has strong expertise in narrative, editing, and post-production. Currently at LaCima Producciones, she was previously at AMC Networks (2016–2024), editing for Canal Decasa and other TV projects. As a freelancer, she has edited videos for Skeyndor and fashion films for GQ, Esquire, and L’Officiel Hommes. She edited the trailer for « Quest » (La Perifèrica Produccions), pilots like « Ovo » (Globomedia), « Crush » (Phileas), and « Una y No Más » (Netflix). She has also worked on « El Chiringuito de Pepe », « Feis tu Feis » (Mediapro), « J Kramer » (Notodofilmfest), « Otro Verano » (Mirabal Films), « Plaza de España » (Hillvalley), and « Muchachada Nui »

Co-Director’s Profile: 

Chiara Marañón is a filmmaker and Director of Programming at MUBI. She holds two master’s degrees in Screenwriting (EICTV Cuba) and Filmmaking (University of Westminster). She has served on juries at Mar del Plata, Jeonju, Documenta Madrid, Sheffield Doc/Fest, and FDC Colombia. As a director, she worked with Abbas Kiarostami and has been mentored by Lucrecia Martel, Carlos Reygadas, and Jaime Rosales. Her films include « Niños en Piscina », « La Chica de la Fábrica de Limones », and « The Boy Who Never Went Ice Skating ». »

« Juan Soto Taborda is a director, editor, and archivist. Trained at EICTV, he has edited 40+ projects and works at Filmoteca de Catalunya. He teaches at EICTV, UCL, and Kingston, and is a member of multiple Colombian film institutions. He won Best Editing at Black Canvas (2020) and edited « El Father Plays Himself ». His films include « Revelaciones » and « Parábola del Retorno ».

Producer’s Profile:

Ricard Sales Lacima holds a degree in Audiovisual Communication from Ramon Llull University and a Master’s in Executive Production from the School of Cinematography and Audiovisual Arts of the Community of Madrid. In 2016, he co-founded LaCima Producciones, where he works as an Executive Producer. He has produced acclaimed films such as « Afternoons of Solitude » (2024 – Golden Shell at San Sebastián), « The Year of the Discovery » (2020 – Two Goya Awards), « Ummo: The Alien Spain » (2022), « Where Were You When You Were? » (2025), and « God’s Hill » (2019). His productions have been recognized at prestigious festivals such as Rotterdam, Seville, Mar del Plata, and Sitges. He is currently producing projects including « Elena Gave Birth to a Beautiful Child », « From Dawn to Dawn », « Dancing with Death », and « The Reserve »

Cannes Docs

The Flight of the Stork

Original Title: El Vol del la Cigonya

Directed by: Soumaya Hidalgo DJjahdou, Berta Vicente Salas

Produced by: Matheus Mello | Migranta Films, Spain

Country of Production: Spain, Qatar

Runtime: 71'/ 52'

Expected Release: August 2025

Production Stage: Post-production

Budget: €104,043 (65% in place)

Looking for: Festivals (premieres), sales agents, distributors, buyers, broadcasters, co-producers, gap financing, strategic guidance (for festivals strategy)

Synopsis:

Seeking her roots, 29-year-old Soumaya travels to Algeria, filming her quest to understand the past her mother left behind. Through family archives and intimate conversations, she confronts her identity and traditions. What begins as a personal search becomes a poignant look at exile, family bonds, and three generations of women striving for connection across distance and belief

Director’s Profile:

Soumaya Hidalgo Djahdou (Barcelona, ​​1994) is a multicultural artist, translator, and teacher. Her work bridges cultures. Inspired by her grandmother’s disappearing Berber dialect, she conducts family research that evolved into her first documentary, « The Flight of the Stork. » She holds a degree in German and English translation and interpretation from Pompeu Fabra University.

Co-director’s Profile:

Berta Vicente Salas (Barcelona, ​​1994), a Pulitzer Center alumna, is a filmmaker and photographer renowned for her evocative and melancholic photography that blends reality and imagination. Known for her intimate portraits that capture profound emotions, her work conveys introspection and nostalgia. She holds a degree in Humanities (UOC) and a Master’s in Documentary Film from EICTV, Cuba. She was awarded Fototalentos by the Santander Foundation (2013) and received the Sony World Photography Awards (2013) in the youth portrait category. She made her first short film, « Todos los días Elisa, » at EICTV Cuba. « The Flight of the Stork. » will be her first feature-length documentary.

Producer’s Profile:

Matheus Mello (1986), non-binary producer and founder of Migranta Films with over a decade experience, develops bold audiovisual projects and industry initiatives between Brazil and Spain, fostering fairer co-productions across the Global North and South.

With a portfolio spanning films, immersive experiences, and international collaborations, productions such as I Am (IDFA Special Jury Prize) and Kalunga (Best Latin American Short at Kinoforum) and projects like “the Dreams of Time,” “Scorpionikas,” and “Hold Time for Me” have been showcased at Cinemart, EFM, Visions du Réel, Durban Filmart, Atlas Ateliers Marrakesh, D’A Lab, Cinema Pendent, GZDOC, among others.

Collaborations include work with Lucrecia Martel, Pedro Costa, and Werner Herzog on talent development programs. A Sundance Institute, Creative Producer Indaba, and Ji.hlava Emerging Producers alumnus.

Cannes Docs

La pietà

Directed by: Pepe Andreu, Rafa Molés

Produced by: Pepe Andreu, Rafa Molés | SUICAfilms, Spain, Olafur Rognvaldsson | AXfilms, Iceland, Arūnas Matelis | Studio Nominum, Lithuania

Country of Production: Spain, Iceland, Lithuania

Runtime: 80'

Expected Release: November 2025

Production Stage: Editing

Budget: €392,890 (90 % in place)

1st Feature: No

Looking for: Festivals, sales agents, buyers, gap financing

Synopsis:

Seven siblings isolated themselves at the beginning of the past Century at the foot of Europe’s largest glacier. They explored and worshipped it before anyone talked about the melt. Their farm is now an empty skeleton. But their voice will echo again like a litany, like a warning. On the wall, the image of a ‘pietà’, with the great white shroud twisted over the corpse of the dying son.

Director’s Profile:

Rafa Molés is a director, scriptwriter and producer. Graduate in Information Sciences. Journalist of the year’ award in the III Edition of the Journalism Awards of the Valencian Community. Lecturer in the Department of Communication Sciences at the Jaume I University of Castellón until 2017. His films include « Lobster soup » (2020), selected in San Sebastian, Thessaloniki, Visions du Réel, ZagrebDox, Calgary, Taipei, Tehran, Dok.fest Munich, Transylvania, RIFF Reykjavik, among others; « Picotazos contra el cristal » (2019), premiered at the Madrid International Film Festival; « Experiment Stuka » (2018), selected at DocsValencia and DocsBarcelona; among others.

Co-director’s Profile:

Pepe Andreu is a film director, scriptwriter and filmmaker from Elche. Graduate in Information Sciences (Image and Sound). He has more than 25 years of professional experience as a television director as well as directing documentaries for film and television. Since 2013 he has also been a producer at SUICAfilms. His films include « Lobster soup » (2020), selected in San Sebastian, Thessaloniki, Visions du Réel, ZagrebDox, Calgary, Taipei, Tehran, Dok.fest Munich, Transylvania, RIFF Reykjavik, among others; « Picotazos contra el cristal » (2019), premiered at the Madrid International Film Festival; « Experiment Stuka » (2018), selected at DocsValencia and DocsBarcelona; among others.

Producer’s Profile:

Pepe Andreu and Rafa Molés started to produce together in 2013 in SUICAfilms. They have worked in documentary as well as fiction. Their films include « El Agua » (2022) by Elena López Riera, « Lobster Soup » (2020) by Pepe Andreu and Rafa Molés, or « La Mort de Guillem » (2018) by Carlos Marques-Marcet, among many others.

The award-winning director Arūnas Matelis (Directors Guild of America, IDFA, etc.) has produced more than 50 documentaries, including « Before Flying Back to Earth » (2006), IDFA (winner), Dok Leipzig (winner); or « Wonderful Losers: A Different World » (2017), Warsaw (winner), Minsk (winner), Trieste (winner).

The producer, director, and cinematographer Ólafur Rögnvaldsson founded, with the screenwriter Anna Th. Rögnvaldsdóttir, in Reykjavík in 1991, AXfilms. He has been involved in some of the country’s most important fiction feature films, fiction series, and documentaries.

Cannes Docs

If You Wish to Make an Apple Pie

Directed by: Nagore ECEIZA

Produced by: Nagore Eceiza | El Santo Films, Spain, Izaskun Arandia | Izar Films, Spain, Manuel Pereira | Cabiria Films, Spain

Country of Production: Spain

Runtime: 70' / 55'

Expected Release: May 2026

Production Stage: Production

Budget: €333,000 (80% in place)

1st Feature: Yes

Looking for: Festivals, sales agents, distributors, buyers, gap financing, strategic guidance

Synopsis:

After eight years of clandestine interfaith love with her Hindu partner, circumstances force Muslim artist Dorine to return to her family. She is forced to adapt to the strict discipline imposed by her father, a fervent practitioner of Islam, for whom the mere act of drawing a human form is considered a transgression.

Director’s Profile:

Producer, director, editor, and DOP. She founded El Santo Films in 2022, after a ten-year professional career as a freelancer, during which she has trained with internationally renowned artists and worked with professionals from a wide variety of fields in the audiovisual industry.

Closely identified with the social documentary genre, she has participated in film productions in Newfoundland, the Ecuadorian Amazon, Cape Verde, Paris, Algeria, Israel, Ethiopia, Angola, Mozambique, Mexico, India, and Puerto Rico. She is currently touring festivals with the short film « Wao Zone », awarded eight international awards to date. She is currently directing and co-producing « If You Wish to Make an Apple Pie », her feature-length debut, which will be released in 2026. She is also co-producing the feature-length documentary « Before You, My Shadow », by director Natxo Leuza, which is currently in development.

Producer’s Profile:

Founder of IZAR Films, a film production company based in San Sebastián since 2013. The company specializes in films about human rights and social issues, and they work mainly with women filmmakers. The technical teams are also made up of at least 50% women.
IZAR Films is currently developing the documentary feature film « If You Wish to Make an Apple Pie » in production stage and « Irailak », a documentary feature film in development stage where she is Director and Producer.

Cannes Docs

Average White Band: Soul Searching

Directed by: Anthony Baxter

Produced by: Richard Phinney | Montrose Pictures, UK, Stacy Robinson | Kartemquin Films, USA

Country of Production: UK, USA

Runtime: 100'

Expected Release: October 2025

Production Stage: Post-production

Budget: €771,000 (70% in place)

1st Feature: No

Looking for: Festivals, buyers, distributors, gap fiancing

Synopsis:

How a group of lads from working class Scotland became one of the most admired soul and funk bands in the history of music, winning over the likes of Marvin Gaye, Aretha Franklin, James Brown and a future US President – “Those boys could jam,” recalls Barack Obama. And as one of the most sampled bands in hip hop, Average White Band’s music continues to be hugely influential today.

Director’s Profile:

Anthony Baxter is a multi-award-winning director based in Scotland.His work include the BAFTA-winning Eye of the Storm, his poignant profile of artist James Morrison, which was broadcast in prime time on BBC2 and on more than 200 PBS stations in the United States. FLINT: Who Can You Trust? is the “monumental” (The Guardian) account of one of the worst man-made disasters in American history. A Dangerous Game is a searing indictment of the profound ecological and social impact of luxury golf resorts around the world.Baxter’s iconic You’ve Been Trumped, in which a small Scottish community battles against the future American President, won a dozen international awards and was distributed globally through Netflix. The sequel, You’ve Been Trumped Too, follows Donald Trump’s initial Presidential campaign, and had its premiere at IDFA.

Producer’s Profile:

Richard Phinney is an award-winning journalist, producer and filmmaker. He produced and wrote the award-winning theatrical documentaries You’ve Been Trumped (2011), A Dangerous Game (2014), You’ve Been Trumped Too, and FLINT (2020) and won a Scottish BAFTA for his work on Eye of the Storm.

Stacy Robinson has 20 years of experience writing and producing documentaries for CNBC, National Geographic, Discovery Channel, OWN, and numerous cable networks. She wrote and directed the\ Emmy Award winning documentary on Ida B. Wells and the Birth of Gospel Music for PBS, and received a National Emmy nomination for her work as Co-Director of We Are Witnesses: Chicago. She is currently Artistic Director of the Kartemquin Films, with its legacy of award-winning documentaries (Hoop Dreams, The Interrupters, Life Itself etc.) spanning over five decades. Kartemquin also champions filmmakers in developing their craft, and aligns with partners who understand that documentaries are powerful vehicles for truth that can transform the world around us.

Cannes Docs

Two Mountains Weighing Down My Chest

Directed by: Viv Li

Produced by: Daniela Dieterich | CORSO Film, Germany, Olivia Sophie Van Leeuwen | 100 %, the Netherlands

Country of Production: Germany, the Netherlands

Runtime: 90'

Expected Release: January 2026

Production Stage: Editing

Budget: €610,000 (100% in place)

1st Feature: Yes

Looking for: Festivals, buyers, strategic guidance

Synopsis:

A Chinese artist wannabe, drifting between Berlin’s overwhelming queer scene and a traditional family in Beijing, is constantly adapting to shifting opinions of herself, the world, and most importantly, China. Following a witty yet insightful search of identity and belonging, the film goes deep inside two completely different societies, only to question, how do we live in a globalised, but polarised world?

Director’s Profile:

Viv Li is a filmmaker and artist based in Berlin. Born and raised in Beijing, she spent the past 15 years living in Europe, South America, and Southeast Asia. Her first narrative short, « Across the Waters, » was nominated for the Short Film Palme d’Or at the 77th Cannes Film Festival and won the Lights On Women’s Worth Award. Her short documentary, « I Don’t Feel at Home Anywhere Anymore, » was awarded a Jury Special Mention at IDFA, among 8 other international awards after traveling to 70 festivals. Currently, she is working on her first feature project, supported by Sundance Institute, Berlinale Talents, and Chicken&Egg Pictures.

Producer’s Profile:

Daniela Dieterich is based in Cologne, Germany. She has a university degree in Communications, Media, and Sound-studies and is a Sundance Grantee and Dok.Incubator Alumna. She has worked as production manager for various short and feature films, including « Oray » by Mehmet Akif Büyükatalay (winner of the GWFF Best First Feature Award at Berlinale 2019) and for film seminars at the Academy of Media Arts Cologne (khm). Since 2017, she has been working as production manager and producer for CORSO Film, including as producer for « Searching Eva » by Pia Hellenthal (Berlinale Panorama, Special Mention CPH:DOX, Audience Award Athens, IDFA, Hot Docs, Sheffield, and many more).

Cannes Docs

Sarkash

Directed by: Sophie Schrago

Produced by: Pauline Tran Van Lieu, Lucie Rego | Hutong Productions, France, Heejung Oh, Sarah Kang | Seesaw Pictures, South Korea

Country of Production: France, South Korea

Runtime: 70'

Expected Release: February 2026

Production Stage: Rough cut

Budget: €325 000 (85% in place)

1st Feature: Yes

Looking for: Festivals, sales agents, distributors, gap financing, impact strategy guidance

Synopsis:

Defying the conservative forces in her community, Khatoon opened the first Women’s Sharia Court in Mumbai. Ever since, women come there to denounce violence and get justice, reversing the power dynamics in place.

Director’s Profile:

Sophie Schrago is a documentary filmmaker and anthropologist who draws on her experience living in different cultural settings to tell stories at the intersection of religion, race, ethnicity, and gender. After joining the programming team of the International Film Festival on Human Rights (FIFDH, Geneva) for several editions, she developed various short documentaries including Malcolm X and the Sudanese re-leased in February 2020 on the occasion of Black History Month in New York. She also worked as an assistant-director on the film A Thousand And One Berber Nights by Hisham Aïdi, which is being acquired by the Maroc 2M channel. Her work has been recognized by various bodies such as the Wenner-Gren Foundation, SCAM, the Women Make Movies as well as the Union Docs Center for Documentary Art. She is currently finishing her first feature documentary.

Producer’s Profile:

We created Hutong Productions in 2018. Our ambition is to produce unexplored narratives carried by daring artistic visions. Committed to giving visibility to a wide variety of cinematographic genres and directors from all countries, we produce short and feature-length films, fictions and documentaries, including many first films. Our films are released on TV and in theaters and screened at international festivals, in museums and on SVOD platforms. We act as majority producers (THE WATCHMAN – Black Nights Tallinn, ACTS OF LOVE – Hot Docs Toronto), co-producers (INTERCEPTED – Berlinale), or in the development phase (THE MOTHER OF ALL LIES – Cannes Un Certain Regard 2023, Best Director Award and Golden Eye for Best Documentary). We are members of the SPI, Eurodoc, Atelier Network, European Women’s Audiovisual Network (EWA) and Women Make movies networks.

Cannes Docs

Your Honour

Directed by: Bircan Birol

Produced by: Reece Cargan | RANDAN, Scotland, UK

Country of Production: UK

Runtime: 90'

Expected Release: May 2026

Production Stage: Late development

Budget: €455,049.30 (35% in place)

1st Feature: Yes

Looking for: Sales agents, distributors, festivals and gap financing

Synopsis:

Trans law student Efruz lives under constant threat to her safety and well-being in today’s authoritarian Turkey. Her friend Bircan films Efruz over the years as her dream of becoming a human rights lawyer is challenged more than ever, and where the two friends find hope from the past, in friendship and resistance infused with laughter.

Director’s Profile:

Bircan is a documentary filmmaker working between Scotland and Turkey. Her work explores themes of belonging, resilience, and resistance, as well as social impact and participatory filmmaking. Her debut short documentary, My Name is Anik (2019), premiered at the Edinburgh International Film Festival and screened in theatres and festivals internationally. She is currently making her first feature-length documentary with Bombito/Randan Productions, supported by Screen Scotland and the International Documentary Association, and pitched at IDFA Forum. She is an alumna of IDFA Academy, Close-Up Initiative, Sheffield DocFest Queer Realities Director’s Lab, Glasgow Film Festival Talent Scheme, EIFF Script Starter, Filmonomics and Scottish Documentary Institute. She is also a BAFTA Connect member and an International Documentary Association Supported Artist.

Producer’s Profile:

Reece is a BAFTA nominated and RTS award winning producer and founder of Scottish production companies ‘Bombito productions’ & ‘RANDAN. Reece is Glasgow based and was selected by Screen International as a Rising Star Scotland. Reece has produced numerous award winning work, he recently he co-produced 2 features with the Netherlands – with support from Screen Scotland & Netherlands Film Fund.
Randan work across a varied slate of feature projects that span drama, documentary and animation. They have four theatrical release scheduled for 2025/2026.

Presented by: Reece CARGAN (RANDAN, Scotland, UK)

Cannes Docs

Love Letters

Directed by: Daniel Cook

Produced by: James Heath | Randan, UK

Country of Production: UK

Runtime: 90'

Expected Release: March 2026

Production Stage: Production

Budget: £350,000 (42% in place)

1st Feature: Yes

Looking for: Festivals, sales agents, distributors, broadcasters and buyers

Synopsis:

“Love Letters” is an intimate documentary that captures the daily ongoings in the historical fishing village of Gardenstown. At the heart lies Juliet and Bubbles and their eclectic extended family and friends. This film will document their resilience, joy, and profound connection to community in a lyrical exploration of human experiences.

Director’s Profile:

Over the past two years, I have been developing projects along the Northeast Coast of Scotland, where the resilient spirit and joy of the people I encountered inspired the creation of “Love Letters.”

As a self-shooting filmmaker with a background in the arts, I’m interested in immersing myself in the lives of my subjects, creating films that are at once, performative and factual. I’ve always been drawn to unconventional storytelling, often uncovering distinct narratives through post-production or spontaneous encounters with contributors.

My previous film The Bayview, a Scottish BAFTA and Grierson nominated short documentary about a fishing community, has a similar sense of style. As a natural evolution, working with a community on the fringes of Scotland, I feel that ‘Love Letters’ has the potential to connect with audiences both in the UK and around the world.

Producer’s Profile:

James is a BAFTA-nominated producer known for his work on the SXSW award-winning feature film « The Fitzroy. » A graduate of prestigious programs including Berlinale, Rotterdam Labs, and EAVE Producers’ Workshop, he has established himself as a dynamic force in both commercial and narrative filmmaking.

In recognition of his innovative approach to production, James recently secured BFI Global Screen Fund backing to launch Randan, a new Film and TV focused production company in partnership with Bombito Productions’ Reece Cargan. They have an ambitious slate of projects due for release over the next year including, Screen Ireland-backed coming-of-age drama « Spilt Milk » which recently premiered at Tallinn Black Nights. He’s also venturing into documentary filmmaking with « Love Letters, » supported by BFI Doc Society and Screen Scotland.